NEW PIANO ROLLS from JULIAN DYER
For Duo-Art and 88-note player pianos
New rolls let you choose the music for your player piano and buy it when you want it, not just make do with what turns up. New rolls don't have the damage and decay that old rolls suffer from. Buy your new rolls here!
Below are the catalogues of rolls for standard 88-note player pianos and automatic Duo-Art instruments. Not sure what rolls your player piano can use? Have a look at the page on compatibility. If you know what you want, you can order directly.
Duo-Art rolls
These are special rolls needed to operate Duo-Art pianos that automatically reproduce the performance of the pianist. The copies here are exact replicas of original rolls, containing each and every punch in the original roll, all in the right place and of the right size, so the new rolls perform exactly the same as the original rolls. This is quite unlike the majority of roll copies, where the new perforations only approximate the originals, to the detriment of the music. For the specification of these new rolls, see The Anatomy of a Piano Roll.
A brief description about how the Aeolian Company made the original Duo-Art rolls can be found in the page about the Duo-Art recording process. If you want to know more about how Duo-Art pianos work, have a look at Understanding and Regulating the Pedal-Electric Duo-Art.
Standard 88-note rolls
Most player pianos use 88-note rolls, with the operator (or 'Pianolist') adding all timing and expression. Some instruments have an extra accenting mechanism to highlight certain notes, and the rolls here have accenting when this is appropriate. They will play perfectly on any standard 88-note player piano. The catalogue has a mixture of replica and new rolls, including titles newly arranged by Adam Ramet to play in a way that only the player piano can!
Special recut orders
I can only offer a fairly limited list of rolls off-the-shelf, but there are huge numbers of other rolls that could be recut. Ask for the titles you want: you may well not have to find an original because there are libraries of electronic scans that can be perforated to order! Anything obtainable can be cut for bulk purchase, where the buyer takes the entire perforator run of four copies. I don't copy rolls less than 50 years old, or older recuts.
Custom-cut new rolls
I can cut new rolls from MIDI files, as long as the MIDI file is provided in a form ready for cutting - I can check a file to assess how suitable it is for making into a roll. New rolls are supplied only in batches of four copies; it's not practical to supply single rolls or proof rolls, although I can provide examples of how the MIDI will sound once it's been cut into a roll. I cannot create MIDI files for you, so if there is something you want you'll have to find somebody to create it for you, and I'll then happily cut it for you.
What's new?
April 2012
December 2011
July 2011 - new arrangements by Adam Ramet
August 2010 - new arrangements from Adam Ramet and more Duo-Arts
November 2009 - new 88-note titles specially arranged for the Pianola by Adam Ramet
August 2009 - Duo-Art rolls
August 2009 - 88-note rolls
Replica Duo-Art rolls - list updated 30 April 2012
Bulk orders: take 20% off the listed prices if you order 10 or more rolls, or 10% off for more than 5 rolls.
| Shepherds Hey (Percy Grainger) Special arrangement for Pianola by the composer (Meloto 35132) LAST ORDERS | 10 |
| Russian Rag (Cobb) played by Max Kortlander (QRS 100870) | 10 |
| Zu Zu Rag, played by Victor Arden (Rythmodik E17663) | 10 |
| Footlight frolics (Sidney Torch) arranged (Themodist 30825) | 10 |
New 88-note rolls
88-note rolls – Themodist where noted, otherwise plain 88-note |
|
| Prelude from "Eight Concert Studies for Piano" (Nikolai Kapustin) – a 1984 composition evoking the feel of improvised jazz | 11 |
| Carroll calls the tunes – transcription of Carroll Gibbons' 1937 record (Can I have the next romance with you, Everything's in rhythm with my heart, I'm in a dancing mood, There isn't any limit to my love) | 13 |
| Ganz – Allons Vite (grand galop de concert) | 11 |
| Shostakovich – Festive Overture | 13 |
| Shostakovich – Waltz No 2 from Suite for variety orchestra. | 11 |
| Sometimes I feel like a motherless child – Traditional, arranged by Samuel Coleridge Taylor | 11 |
Arno Babadjanian – Elegie Themed LAST ORDERS |
11 |
| Gershwin/Grainger – Love walked In & The Man I Love. Concert transcriptions by Percy Grainger, interpreted for the pianola by Sid O'Connell. Themed | 13 |
Lothar Perl – American Variations on a theme of Paganini. Created by Sid O’Connell. Themed |
13 |
| Rachmaninoff – Italian Polka, in a new concert arrangement by Arcadi Volodos | 11 |
New Pianola Arrangements by Adam Ramet
Brand new 88-note arrangements specially designed to make the most of your player piano!
(Songs come with a lyric sheet)
European popular music |
|
| Trot Macabre (Ramet) – a novelty take on themes from Saint-Saens' Danse Macabre | 11 |
| Moya Maruschka (Vilnov) – Russian, from Petr Leschenko's 1930s recording | 11 |
| Katyusha (Blanter & Isakovsky) – Russian favourite in a new arrangement | 11 |
| Chopinata (Clement Doucet) – a novelty piece from famous Chopin themes | 11 |
| Alles Schwindel (Spoliansky - Schiffer) – A sarcastic German cabaret song from 1931 | 11 |
Bugatti Step (Jaroslav Ježek) – Czech, from the composer's 1931 orchestral recording |
11 |
| Ashkenazi Dances No 1 (Ramet, based on traditional melodies) | 13 |
| Otto e Mezzo (8 1/2) (Nino Rota) – The closing sequence from Fellini's 1963 film | 11 |
British light music and music hall |
|
| It's a long way to Tipperary (Jack Judge) – in its 1912 music-hall comedy song form | 11 |
| The Bee Song (Blain) – comedy song forever associated with Arthur Askey | 11 |
| Don't have any more, Mrs. Moore (Castling - Walsh) – as sung by Lily Morris in 1926 | 11 |
| Theatreland (Strachey) – a march from 1940 that evokes the lure of the footlights | 11 |
| Barwick Green (Arthur Wood) – the theme music from The Archers | 11 |
| Devil's Galop (Charles Williams) – the Dick Barton theme | 11 |
Don't Dilly Dally (my old man said follow the van) (Collins & Leigh) – the famous English music hall song |
11 |
| I do like to be beside the seaside (Glover-Kind) – Reginald Dixon's theme tune | 11 |
Puffing Billy (White) – English light music, Childrens' Favourites and Captain Kangaroo theme |
11 |
In a party mood (Williams) – English light music, the Housewives Choice theme |
11 |
Coronation Scot (Ellis) – English light music, a cinema organ favourite and the Paul Temple theme |
11 |
Happy Hippos (Kennedy) – 1912 English Two-Step |
11 |
American tin pan alley, novelties and jazz |
|
| Theme from Star Wars (Williams) – a complete rendering of the orchestral performance on the pianola NEW | 13 |
| The Physician (Cole Porter) – a medical predicament written for Gertrude Lawrence | 11 |
| Slap that Bass (Gershwin) – as danced by Fred Astaire in Follow the Fleet | 11 |
| Blackbirds of 1926 (Meyer) – show selection | 13 |
| Let's Misbehave (Cole Porter) – dropped from "Paris" before its New York opening | 11 |
| Church mouse on a spree (Froeba) – 1936 jazzy novelty | 11 |
| Nickel in the slot (Confrey) | 11 |
| King Chanticleer (Nat D. Ayer) | 11 |
Troublesome Ivories (Eubie Blake) |
11 |
Classic ragtime |
|
| Alexander's Ragtime Band (Berlin) | 11 |
| Going to Pieces (Karl Kapper) – a rag / onestep from 1916 | 11 |
Wintergarden Rag (Abe Olman) LAST ORDERS |
11 |
| Hot House Rag (Paul Pratt) LAST ORDERS | 11 |
The Entertainer (Scott Joplin) |
11 |
Eugenia (Scott Joplin) |
11 |
Rose Leaf Rag (Scott Joplin) |
11 |
| Solace (Scott Joplin) | 11 |
Jelly Roll Morton transcriptions by Mike Meddings
Mike Meddings made these rolls for his own concerts, transcribing Morton's 78s to recreate every nuance of phrasing and timing. Thanks to Mike, these are now being offered for sale again.
88-note rolls |
|
| Finger Buster – transcribed from Jazz Man 12, recorded Dec 1938 NEW | 11 |
| Frog-I-More Rag – transcribed from Rialto534, recorded April/May 1924 | 11 |
Ordering is simple: just email the list of the rolls you want, your details including delivery addess, whether you want fast (expensive) or economical (slower) delivery, and if you want additional postal insurance. You will be sent a payment request for the total, no payment is needed with the order.
All prices are in UK pounds sterling. There are discounts for larger orders: 10% for 5 to 9 rolls, 20% for 10 or more rolls. Alternatively, order a bespoke perforator batch of any title (5 rolls) and deduct 20% for that particular title.
All orders are posted from the UK, or may be picked up from Wokingham. Postage is charged at cost, packing is free. To give some idea of postage costs at November 2010 prices:
Exact postage costs will be confirmed when the packed weight of your order is known and a postal service chosen. UK buyers should pay with a cheque in Pounds Sterling drawn on a UK bank or arrange a bank transfer. Non-UK buyers can use PayPal - a payment request will be sent.
Julian Dyer, 5 Richmond Rise, Wokingham RG41 3XH, United Kingdom
email: enquiries <at> pianorolls.co.uk (using @ instead of <at>)